Posts tagged ‘P.SO’
This man needs no introduction, not really. Fresh Daily hails from Brooklyn and has been releasing fresh cuts for a couple of years. Founding member of the A OK Collective, he’s one MC who stands out from a crowd of your average mic slingers.
Mainly because he comes with a whole lot of bare-faced cheek and heaps of lyrical imagery. Fresh has worked with top-drawer producers such as Illmind, DJ Spinna and Exile to name just a few. Back in the day he went by the name of Ill Tarzan and was swinging his way through New York’s open mic spots. A lot has happened since: Fresh Daily, all day, every day.
In his own words: “I’m an emcee. I’m a graphic illustrator. I am Brooklyn. I am 1996 seen thru ’89 Cazals rocking a dookie gold rope chain. I am the Blackstar video for “Definition” riding in a van with Jay-Z and Slick Rick. Get creative.”
Creative he definitely is: a colourful persona with the tilted hat and dope sneaks to match…no further ado: it’s all about beats, rhymes and breasts in the BB interview.
What’s your philosophy on hip-hop? Is it all about wordplay, politics or just plain fun?
My philosophy on hip-hop always will be dope beats and dope rhymes. You know what that entails. KRS-One said “a dope emcee is a dope emcee”. That old adage rings true still. There’s obviously more to it than that. But the general gist is that. And it definitely has to be fun.
You’ve lived in Brooklyn for a long time. Can it be a blessing as well as a curse sometimes to come from a place that has brought us so many artists that have made an impact?
There’s been obviously a blessing in the sense our environments shape us in our growth oftentimes. The only down side to it possibly is the amount of dope emcees that come from Brooklyn. We definitely have an oversaturation in regards to musicians with a similar mindframe.
Can you tell us how you first got exposure as an MC? I believe you came up through a few open mic nights, what was that like for you at the time?
The NYC open mic scene when I came into it was a definitive launchpad for the careers of alot of emcees. The arena I came up in had emcees like Immortal Technique and Jin and then later down the line, rappers like Mickey Factz and Theophilus London.
How much of a rivalry is there still between MCs in New York’s five boroughs? Do you strongly identify with being a Brooklyn MC, or a NY MC? Or do you not give a damn about being either?
I’m definitely a Brooklyn MC but not out of a sense of rivalry but out of pride. I rock with all NYC emcees. Each borough of New York has SUCH a distinct flair and style and culture that rivalry is inevitable.
What are you playing on your music player right now?
Sorry to disappoint. The kids kinda ruined sneaker and streetwear culture for me. I’ve given away alot of sneakers and sold alot of deadstocks and rare pairs. I’m alot older than I look and my tastes really refect my maturity. I enjoy tonal Nike air max’s and trainers, Vans classic and Chukkas and Clark’s desert boots and Wallabes.
These days I enjoy Ralph Lauren, Sebago, Red Wing, Visvim and Sperry footwear as much as I enjoy my Nikes.
(editor’s note – to any of the brands mentioned: if you read this, pay me!)
Who do you think are some of the best-dressed MCs in hip hop history?
Definitely Slick Rick, Grand Puba, Jay-z, Kanye West, T.I and of recent, Rick Ross.
You had a car accident a while back that you talk about on your track ‘Break a Leg’ – how did that happen? Did it change your
perspective in any way?
In Feb 2008 a Suburban SUV sped thru a red light and struck me as I was riding my bicycle to the train. My tibia and fibula was snapped almost in two. It took 2 months in the hospital and 2 months to walk again. God is good though, I’m walking and running and recording. It def taught me patience.
What’s the theme or concept behind the “Gorgeous Killa” album?
Initially it had a theme musically. It had a concept. Along the way that got lost. Now it just stands as a conversational piece and a title from an observational perspective about the dichotomy of creating art while working a real job.
Your recent release “Tomorrow Is Today” has a distinct electronic feel to it – who made the beats? Do you like experimenting and take new directions in music?
Most of my music is just a direct reflection of what I’ve been listening to. Alot of the music on Tomorrow is Today was produced by either Benamin or The Milkman. There were Flying Lotus beats and remixes of other bands like The Gorillaz and Telepop Music. My new project “Mothership/LAND” sounds similar in sound but deals with more social/relationship issues.
Your work ethic: is there anything that can distract you from working or writing…big breasts or other lol?
Anyone who knows me knows I am fond of buxom women. Nothing is a distraction though. Unless I NEED a distraction.
What have you got in the works right now?
Any last words or shouts?