Posts tagged ‘Portland’

“More” / Luck-One in my inbox

Portland Hip-hop

Luck-One is an emcee from Portland, Oregon whose upcoming full-length True Theory is one of the most anticipated releases in NW hiphop, which is also starting to build an international buzz.

Earlier this summer I wrote a piece here for the Portland Mercury, and today I was blessed with a link to a brand new track in my inbox – not from the upcoming album, but from the outtakes that didn’t make the cut.

Not that I wasn’t psyched before, but if this is just an outtake, I expect great things on the horizon for this young artist with seemingly limitless potential. But don’t take my word for it, check it yourself.

More by Luck-One

September 14, 2010 at 13:54 Leave a comment

The artist formally known as…Cloudy October

What’s in a name, what’s in a phrase? Alternative, left-field hip hop…maybe, but when the first chords of ‘The Aviator is Dead’ hit, you might feel like you’re sitting in a caravan in the middle of a volcanic landscape and all you can hear is the wind and the sound of hot lava bubbling under your feet. The man who created the album, Cloudy October, has nothing to do with volcanoes and lives in an ancient building somewhere in Portland, Oregon. He’s somewhat secretive and has had more name changes than Prince or Puff Daddy.

Sometimes, he visits the library and has a dig around his local record shops for a few good sample chops. Cloudy October isn’t in the music game for money or fame cause only art can break your heart, but Kitsch can make you rich…I was intrigued when he first wrote to me saying: “note to self: All my female cousins have become women out of no where. I decided to document this phenomenon in my song Two Rude Dudes. I had this beat for years and it always made me smile and laugh so I decided to rhyme on it…The plot takes place at my grandmother’s house in Atlanta, most the song. I hope you can find time to listen.”

The result of our chat in the bungalow is an interview about names, living for the moment, racism, and also about long-lost Thundercats action figures and library cards…


What’s good – can you introduce yourself?

This might be the hardest one to answer hahah. umm, my name is Cloudy October, sun of Carolina. I am a half-american producer/songwriter living in Portland Oregon currently. I am a participant in the arts, currently music being the main one I put most of myself into. Right now not working a nine-to-five is real good and having an opportunity to be questioned and raise attention towards my work is mighty fantastic. How are you?

Cloudy October – is it a feeling, a certain sound or just a name?

I was given the name Cloudy October because it is a time of the year in most places that people really disregard. It is a time that people are regretting the departure of summer even. I am a person who is always attempting to be in the present moment so even a cloudy day in a gloomy month cannot really equate to a bad day for me. My current title is a reminder, for me and others, to ensure anyone who encounters me, has an extra reason to accept the present moment. Or maybe even look into books that are written about being in the present moment, after our encounter.

Cloudy October – the legend, the secrecy…You’re rumored to have been born in Atlanta, had facial surgery and have gone through several name changes. what’s the best thing about having a new name, does it open certain doors? can you reveal some of your previous names?

Having a new name is great. Depending on the reason I guess haha. I think for many people, weather a name change comes from Marriage, Divorce, or a personal emotional decision, like myself, can be beneficial. I have many female friends, one being my mother, who often keep last names of men who have done horrible things. All so they can have yet another connection to their offspring. I heard that Flying Lotus used to be called the Piano Overlord or some shit. Switching names probably allowed him to break away into some new sound.

For me, being a black man without a eurocentric name gives me all sorts of extra room in my day to inform people about the importance and meaning of a name when my current title raises interest. There is so much history in our names, interesting and painful shit. I have had many rhyme names as well; Kid Hype, Kwondo The Red Eyed One, and Pineapple Jack are a few.

This is a line from your track Vagabondage:

“born in the land of the raped and the used, I guess that makes me nameless too.” The name theme crops up again, can you elaborate on that?

What frame of mind were you in when you wrote the lyrics to that track?

Man when I wrote those lyrics I was in my usual; ‘america is racist as shit’ moods. The more I discover about current systemic racism and the recent history of racism within U.S. policy, the less american I feel. Half american actually. Most African-American names, especially last names, are often directly connected with previous ownership from the transatlantic Slave trade. Vagabondage is about homelessness from a few perspectives, and about racism as well.

To know my first given name is connected with such horrible and ignored events, that mirror the present inequalities between whites and non-whites, makes me feel as if I have never had a home or a name.

Who are some of your favourite musicians?

All of them. just kidding. Stevie Wonder, Prince, LL COol J, KRS-ONE, Busy Bee, THE COld Crush Brothers, The Treacherous Three, Run DMC, Pete Rock, Aesop Rock, Mark the Forty Five King, Marley Marl, Edan, Rakim, Poor Righteous Teachers, Musiq Soulchild, Heavy D, The Funk Brothers, Michael Jackson, Juice Crew, The Alkaholiks, Freestyle Fellowship, Hiero, Jazzy Jeff and the Fresh Prince, Quincy Jones, Rick Rubin, Fiona Apple, Zero 7, All the rappers rhyming under Native Tongues in the mid 90s. Nas. Jay Z. Eminem. I could go on haahha. so many great mutha phuckas.

What do you do when you’re not in the studio, the Action Office II? what can you tell us about your studio, what’s it look like in there?

I have the very typical, 5000-dollar home studio that took me years to slowly acquire all the gear to complete. It’s like an adult vintage dorm of sorts I gather. Being that I live in a very old building, it has its charm. I am surrounded by organs, chord posters and sheets for curtains. There is really never a time when I am not in the studio. I had a huddle with three other Portland artists recently who, like myself, make no money with music but work more on music than we do for other people. That’s that Portland Oregon shit for real. If I ain’t at the Action Office II, I am usually doing a show, hanging with Mr. Jeigh, or hanging out at the Library or at 99 cent Records.

Who did the cover art for the ‘Aviator is Dead’? Is it a concept album?

My brother Nicholas Graham of Sheetfort via Pinball Publishing, built the whole design. He did an excellent job. We are really proud of it. It looks so so good. For a debut, this album makes rappers bleed for days. You should see the blood trails around the city here.

When I hear the term ‘concept album’ I always think of more elaborate efforts, like Edan’s ‘Beauty and the Beat’ or any Rupert Holmes record. I don’t think ‘The Aviator is Dead’ is a concept album. I do feel that it is a small album with a great concept. Aviation in hip hop is somewhat dead because anyone can record music and over saturate the already over saturated market.  On the contrary, the Aviators, the Pioneers blueprints are so available using the same tool that also makes music kind of suck, the fucking computer. One can choose to study up and come correct, or regurgitate and ignore the present moment with some nostalgic bullshit.

You say you like watching Knight Rider, how do you like the A-Team or Thundercats?

I was never really into the A-Team. I would like to see some more of it to see what its all about. Now Thundercats…Super into them as a kid. I still remember losing my Mum-Ra and Lion-O action figures after a ‘show and tell’ in the first grade. Come to think of it, this is the first time I have come to the realization that they may have been stolen, thanks Beat Bungalow.

What have you got to tell about Portland, Oregon – what are your favourite places to hang out?

Portland has many of the same negatives any city has. but the positives are kind of one of a kind. FOr a person who is aspiring or already and artist, its a key place to be. Many spots to live at for cheap. A transit system that would be beneficial even in a larger city, so no need for spending money to use and maintain a vehicle. There are many cool spots to chill at and so many live shows its ridiculous. I like to hang out at 360 vinyl, 99 cent Records and the Library for sure.

Anything else you’d like to say?

I just want to say thanks again for this opportunity. Its a first for me. Normally I only do local radio interviews. Also I would like to remind all who like anything regarding myself to download my debut album ‘The Aviator is Dead’ for free.

Please keep in mind that joining the mailing list of an artist you think is dope is almost as good as buying his or her shit. Also, If you want to make sure I eat, I am on itunes and amazon and damn near every site you can think of and will be on Pandora in a few months.

Last but not least I would like to mention that I am about to make what I foresee as being an incredicle second album before the year is through. stay tuned, pretty please.


June 23, 2010 at 08:53 1 comment

A truly graphic artist: Ohmega Watts on music & culture

Photo: muni _ Graphics: Milton Campbell

Ohmega Watts has found many ways of expressing himself. He’s a lyricist / music producer, a man of records and a graphic designer. Mr Watts has designed record sleeves, done magazine layouts and worked for various companies as a freelance designer.

If that wasn’t enough, he’s also relased some truly fine records on California’s Ubiquity and tres labels (as part of the Lightheaded Crew). From his base in Portland, Oregon, he reached out and stepped into the Beat Bungalow to speak about what music, art and culture mean to him.

So go ahead, read what’s written – and if you’ve not already done so, you need to be wylin’ out to the Platypus Strut. enough said.


Your first album was called „The Find“ – is that a reference to digging & finding that million dollar sample? Is vinyl still important to you in the age of mp3?

The Find was a nod to crate digging as well as a spiritual personal find in my life, or being found, and finding purpose and direction in my life as a musician and visual artist. To answer the 2nd half of the question, vinyl is still pretty important to me.
Every so often I liquidate certain records or trade them for others I find out about or have been looking for. I just recently completed my Sylvers collection with the 3rd ‘Self Titled’ Album Sylvers III. I got them all in order from 1-3. I consistently dig as long as funds permit, and I like to be surprised by finding gems, rather than someone always telling me, or a BLOG showing me what’s fresh.

What are some of the things you’ve thought about recently and have written lyrics about?

I actually don’t write unless I have a project or song feature to write for. I’m usually doing graphic design for various clients, spinning records at spots and staying creative in visual communication. So in that realm and any current music projects (my group Lightheaded’s 3rd LP) I focus on life topics, the good and bad, but more importantly, empowering the listener to be happy with who they are, and not get caught up on the hype of any musician or public figure… not to sell themselves short, and to be active in their community and bring positive change. That pertains to music and visuals where applicable.

You’ve worked with Jneiro Jarel, Quantic and many others – how did those collaborations shape you as a musician / artist?

I can say just meeting Quantic while we both were visiting the Bay Area and the VP of Ubiquity records back in mid ’04 or ’05, linking with Will aka ‘Quantic’ it was one of my 1st introductions to learning about afro-beat music, beyond Fela and deepening my expanding musical palette at the time. Other than that, both Quantic and Jneiro are 2 great producers with different styles yet pretty versatile in their respective production methods, which lined right up with myself being pretty diverse in sound scape and musical influences… it just influenced me knowing there are other great peers out there keeping good music progressive.

Your heritage is Jamaican, have you ever been back to Jamaica in the last couple of years? What were your impressions, any interesting stories to tell?

I was back there in ’07 for a family reunion and I got to meet a lot of extended family from my mom’s side, as a lot of my dad’s family were on the other side of the island and the timing and logistics didn’t work in favor of having them all there, but it was a good time to see a lot of family that I had no clue about. It was a good time spending 2 weeks in the country in Christiana, which is a city in Manchester one of the 14 parishes that make up Jamaica! It was pretty inspirational, a lot of memories spending time with my grandmother (my mother’s Mom) the only grandparent I got to meet when I was 8 years old. I saw her grave stone and had a quiet moment reflecting. I hope to go back soon and just relax and get to know my cousins better.

Are there any dub or reggae musicians that you rate highly and could listen to non-stop?

Hmmmm, never been the biggest collector or listener of reggae and dub, until lately… but I can toss out Jackie Mitto, Studio One’s roster of artists, and the classic 80s roots rock reggae artists along with some early to mid-90s dancehall.

You also do graphic design work and have designed your own record sleeve – have you done anything in that respect recently?

You can check out works I’ve currently done @ That is my design portfolio site. The name is a play off of my West Indian culture, which has a distinct broken English sound. I worked at Adidas’ U.S. headquarters in Portland, OR, for about 18 months from ’07 to ’08, and still freelance some works for them, as well as various other jobs for firms or companies. I also have a group called M64 which is me on production and my friend ‘Ragen Fykes’ a female singer/songwriter on the vocals. We released a 500 count limited 7inch on and I designed and shot the photos for the ’45 as well.

The last one: where can people catch you on record, on tour, online? Anything else you’d like to say?

Thanks for the interview. Stay tuned to and a ear open for NEW Lightheaded material. That’s my group with MCs Othello & Braille for this year sometime hopefully. Then, I’m in the works with Ragen on an M64 album. Other than that, you can keep up with my blog which consists of photography, design, music and things I like including some of my own works @

Peace and blessings.


April 13, 2010 at 11:10 Leave a comment

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